Global Cinema examines the powerful contributions to film history from film communities around the world. Finally, they properly finish, deliver, and present their final output. The University is pleased to offer our students a free printing allowance of £20 each academic year. The Film Production BA is a part of the BAFTA albert education partnership. We can email you when it starts again, or check out these other courses you might like. BA (Hons) Film provides an in-depth grounding in the technical processes, creative skills and production practices necessary for a … The course also examines and engages with film criticism, cinema history, the production process and cultural issues surrounding film so that students can develop wider perspectives on the use and function of film production. Students create their own projects and begin an exploration of editing theory and aesthetics. Winchester The Project Development course guides students through the process of defining personal and career goals, identifying potential projects that align with those goals, and developing production plans and pitches that can be used to garner investment and other collaborative partnerships. Deep pocketed online TV networks and the internet have led to a surge in the number of people producing visual material for a global market. You take responsibility for your own learning and are encouraged to make use of the wide range of available learning resources available. The module aims to provide students with a realistic knowledge of the current employment possibilities within the film industry and develops the important aspects and understanding of industry requirements needed for graduate entry into the film industry. International part-time fees are calculated on a pro rata basis of the full-time fee for a 120 credit course. The particular character of the ‘short’ screenplay will be examined, analysed and practiced. For further information please refer to the terms and conditions at www.winchester.ac.uk/termsandconditions.The University will notify applicants of any changes made to the core modules listed above. If you aspire to see your name in the rolling credits of a hard-hitting Netflix documentary or BAFTA nominated feature film then this is a great place to start out. Through intensive hands-on workshops, students’ creative and aesthetic skills are tested and honed through weekly exercises designed to test knowledge and practical application across drama and documentary forms. Once again, students will properly finish, deliver and present their final output. This seven-week course explores the concepts filmmakers need to understand to make the choices that best tell their story. To hone interpersonal skills, each student will present their completed website and showreel, inclusive of a reflexive accounting of their creative choices. This module will equip students with advanced skills in post- production appropriate to entry into the film and media production industries. Students learn different ways that they may enter the industry, from traditional film and television routes to scenarios such as music video and reality television. The fee for a single credit is £115 and a 15 credit module is £1,725. Students work in a full range of digital and film formats, utilizing industry-standard production and post-production facilities, to produce work of fully professional calibre. Several components of the Portfolio Development course are developed here, including the elevator pitch and bio. Major course topics include writing coverage and breaking down the script, raising funding and securing financing, designing pitches, and setting up test screenings. Workshops in blocking and rehearsal emphasize the prep duties of the director and culminate in the "Studio Practicum" shoot. Seminars and workshops will explore examples of post-production techniques in current use and provide historical context to improve understanding. These techniques form the basis both of managing small zero-budget films and are the foundation for developing more sophisticated skills later in the program in order to enable students to manage much larger productions. Both creative and fiscal management techniques from a directorial perspective are covered so that directors fully comprehend the opportunities to effectively use pre-production, production, and post-production as distinct stages in bringing their vision to life. A formative task pitching the group film project idea and planned framic elements affords project progression tutor feedback. To see if you’re eligible, please see our Scholarships and Awards. Requirements. If finance is a worry for you, we are here to help. Utlising examples from contemporary cinematographers, students will critical analyse how practice informs the filmmaking process, this will be realised to produce a group short film. An individual micro-film project is designed to advance student understanding and development of directing a micro-film, one that focuses on to create basic mise-en-scene elements in furtherance of developing an original vision for the script. Students are required to write a 2-3 page scene/sequence that elicits an emotional response. Notes for intending Film and Media Production students: 1. Hampshire Students will explore how genre is created through semiology (the use of signs and symbols) within the frame to express a range of meanings and how they support narrative. In Term 6, Special Topics courses in the Film Production program give students the opportunity to refine skills and key industry knowledge while also exposing them to additional areas of their discipline that they may encounter in their future careers. These workshops are designed to advance students’ key core skills in lighting, camera, direction and mise-en-scene, inclusive of a written critical analysis. The specialization (Directing, Producing, Cinematography, Production Design, Post-Production) is described and defined, including a short history and a variety of film clips that explore the depth and breadth of each. To be eligible, you will need to apply by the end of March in the final year of your degree and meet the entry requirements of your chosen Masters degree. UK Part-Time fees are calculated on a pro rata basis of the full-time fee for a 120 credit course. If English is not your first language: Year 1/Level 4: IELTS 5.5 overall with a minimum of 5.5 in all four components. To learn more about the classes you’ll take in the Film Production program, view degree requirements and electives in our course … I’ve just come back from a trip of a lifetime to South Africa where I was capturing footage of six primary education students who were teaching in a South African primary school. The module will focus on the development of aesthetic and practical skills applicable to the filmmaking process and how image construction and structure contribute to creating mise-en-scene. All post elements of a student’s final project should be completed. This module is designed to enable you to gain an understanding of the requirements and practices associated with the art department in the production of a film. You are also encouraged to seek additional feedback from your course tutors. A formative task to present a working script and shot/lighting plan affords project progress tutor feedback. Following on from Lv5 studies on the Digital Distribution and Global Producing: Film Festival, Marketing and Networking options, this module prepares students for post-study employment opportunities. A formative task affords tutor feedback for project progression. Major term projects include the Production Plan for the film and the Marketing & Distribution Strategy. If students wish to print more, printer credit can be topped up by the student. Through a series of lectures and in-class exercises, students learn to recognize viable cinematic ideas, pitch proposals, and offer feedback, create and develop characters, generate conflict and write original dialogue. The goal of this program is to graduate creative, independent filmmakers with the skills, ideas, and initiative to shape the industry. Moving past the iconoclastic Hollywood film, the course examines nationalistic and regional trends in filmmaking that present the social and political realities of these cultures as well as the genres that have entertained their native audiences. From the moment the programme begins, students are involved in collaborative filmmaking tasks which offer real-world training in a range of roles across the film production process. The major assignment for this course is a Career Roadmap assignment in which students articulate a potential strategy (along with supporting materials such as their résumé) for pursuing a career in production design. Students enhance their knowledge and appreciation for directing in post-production while also using the conceptual tools to envision and plan their future career. Also, the four key creative roles of the cinematography department – Camera Operator, Gaffer, Key Grip, and Dolly Grip are examined more in-depth. 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